The work comprises of twelve arcs consistent with time zones of the planet and a parabola of light bulbs that turn on sequentially to simulate the sun's movement across the sky. As seen in the video above, the arcs cast shadows that move slowly acro
       
     
 Oak wood, brass, lightbulbs, DMX system
       
     
ff807515-5542-4e40-a1e2-d5b8f039e206.jpg
       
     
       
     
3710579a-18b1-4d03-ac67-bec5dec856a9.jpg
       
     
_MG_9081-1.jpg
       
     
       
     
 The work comprises of twelve arcs consistent with time zones of the planet and a parabola of light bulbs that turn on sequentially to simulate the sun's movement across the sky. As seen in the video above, the arcs cast shadows that move slowly acro
       
     

The work comprises of twelve arcs consistent with time zones of the planet and a parabola of light bulbs that turn on sequentially to simulate the sun's movement across the sky. As seen in the video above, the arcs cast shadows that move slowly across the room, heightening our experience of time.

 Oak wood, brass, lightbulbs, DMX system
       
     

Oak wood, brass, lightbulbs, DMX system

ff807515-5542-4e40-a1e2-d5b8f039e206.jpg
       
     
       
     

The work comprises of twelve arcs consistent with time zones of the planet and a parabola of light bulbs that turn on sequentially to simulate the sun's movement across the sky. As seen in the video above, the arcs cast shadows that move slowly across the room, heightening our experience of time.

3710579a-18b1-4d03-ac67-bec5dec856a9.jpg
       
     
_MG_9081-1.jpg
       
     
       
     

Choral Intervention in dialogue to the work Aquí en el polo no hay cómo saber la hora by NO CORO.

Music: Nukapianguaq. Stephen Hatfield
Director: Elisa Schmelkes
Solist: Maya Flores
Artwork: Emilio Chapela